52/52: chromedecay photo prints

For this final week’s project, I decided to mount some photographs to give away to chromedecay friends and contributors. Here’s one of the final pieces, which is an 8×10 print mounted on black foamcore. This one’s going to Joshua Schnable as a gift.

chromedecay print: parking lot

The basic pieces were pretty easy to make. I cut up black foamcore into 8×10 inch pieces, and used spray adhesive to mount the prints to the foamcore. The prints themselves are 8×10 images printed by Mpix on Kodak Endura Metallic paper.

cutting foamcore

cutting foamcore

For one of the pieces, I decided to try my hand at making a foamcore standout – basically a frame built out of foamcore that would allow the piece to stand up by itself or be easily hung on a wall without needing to add mounting hardware.

getting ready to start building the standout

building the standout

building the standout

This is the cover photo from my release “The Ghost of An Idea” on EMA CCM. It’s going to Rob Theakston, who runs EMA CCM.

The Ghost of an Idea cover photo standout

I’m so pleased with how these turned out that I will be offering a range of chromedecay photographic prints for sale early in the new year. This is something that I’ve had in mind for a long time, but this project helped push it closer to reality.

This is, of course, the final project in my 52 things project. It has been an amazing year of creative projects, and my next post (going up on Saturday) will be my attempt to reflect on the year, and lay out some vision for chromedecay in 2011. Thanks for reading!

51/52: City of Lights behind-the-scenes photos

This week was the annual Christmas musical production at the church I attend, Bethesda Bible Church in Ypsilanti, MI. I played guitar and ran loops for our band (using the church music rig I posted about in week 24), and had a great time of it. There’s always downtime for the band during rehearsal, of course, so I took advantage of this time to shoot some behind-the-scenes photos.

On Tuesday evening, I only had my Casio Exilim point-and-shoot with me. It’s a decent enough camera (and the high-speed video mode is amazing) but it’s not great in low light. I figured I would make the most of it, and set the camera to its highest ISO value and black-and-white mode to get a grainy black-and-white film look. I was really pleased with how the photos turned out!

I particularly liked how this photo of Ron, our keyboard player, turned out – the spotlight was shining right into him, providing a great rim light all around him.

For Thursday’s dress rehearsal, I brought my main camera with an assortment of lenses and shot more typical documentary-style stuff in full color and good resolution. It was a nice counterpoint to the grainy b&w of the first shoot.

50/52: a day of snow photos

This week’s project was a little light in terms of what I accomplished. As such, this writeup is very much about process, not as much about results.

This was an extremely busy week for me at work and in my personal life, so I knew I would not have any time during the week to work on this week’s project. One thing that has come into even sharper focus during this year of projects is how much I’m influenced artistically by the seasons and the weather (witness: “Raindays“, “6 strings for a winter’s day“, “autumn dsp” (from “Live at Leopold Bros“), etc. I saw the weather had forecast snow for Friday morning, however, so I had great thoughts of getting up early and getting some snow photos. It didn’t happen, so my project time got pushed to today (Sunday).

I started out this morning with shooting some photos in the early morning light with the Canon 70-300 IS lens. I wanted to shoot handheld, and the IS (Image Stabilization) lets me do that in lower light conditions better than my other lenses. I also thought shooting with a longer lens than I would typically choose would be a nice challenge. I got a few interesting detail photos, and I really like the blue-white quality of light on a snowy morning when it’s still overcast. Here are a few of those photos:

50/52: a day of snow

50/52: a day of snow

50/52: a day of snow

Later on in the afternoon, I took out my Yashica 55mm ML Macro lens, with thoughts of shooting some snowflake or icicle macro photos. This is a tricky lens for a couple of reasons. As with all macro setups, it benefits from having a very stable tripod since you’re dealing with such fine detail and short distances. I do not have a very stable tripod, although it works OK most of the time. Also, this lens meters about 2-3 stops overexposed when using my camera’s built-in light meter, so it’s always a guessing game, changing the aperture, using the Live View to compose and focus, and hoping for the best. I never felt like I truly got anything worth looking at, but here’s an example anyway.

50/52: a day of snow

As I was reviewing the images to upload and post, I found I really didn’t think any of them were particularly noteworthy, so I decided to go out and do one more session of shooting. By then, it was dark, and the temperature had dropped. I briefly considered using my off-camera flash setup, but the idea of hauling a flash, lightstand and potentially light modifiers (like an umbrella) in the cold and dark made me go simple: I put the camera on the tripod, and got ready to shoot some long exposures.

I’ve done a lot of long exposure work over the past few years, and I find it a comfort zone. It really simplifies things in many ways: I know I have to focus most of all on composition and choosing an appropriate depth of field, since the exposure time will be dictated by how much light I need to let in to make a good exposure.

Finally, I felt like I made a few worthwhile images! It took all day, and I reverted to a safe, known technique, but I’m satisfied. My favorite image of the day is the last one on the page.

50/52: a day of snow

50/52: a day of snow

50/52: a day of snow

49/52: Help-Portrait

This past week’s project is overdue as concerns posting about it. On December 4, 2010, I participated in the Ann Arbor area’s Help-Portrait event. It’s hard to post much about an event like this, as it’s quite personal and part of the ideals include not sharing images produced. Even posting about it has been delayed due to needing a chance to think through how to share about it.

I was part of an amazing team. Here are a couple photos of our crew:

Rod and Jill
Rod and Jill Love are a husband-wife team. Jill was the main organizer behind the event, and Rod gave a ton of help the day of the event.

Chris Clements is a super talented photographer from Ann Arbor. We shared lots of talk and enthusiasm about all areas of photography, from lighting gear and techniques to processing styles and more.

In the end, I simply ask that you check out the Help-Portrait site and consider what you could do to help someone else out, whether it’s through your art or something else.

47/52: trying out Lightroom 3

This week’s project was pretty straightforward. I’ve been interested in trying out Adobe Lightroom 3 for a while, and this week I downloaded and installed the free 30-day trial in order to put it through its paces and try it out.

47/52: Lightroom 3

I have been using iPhoto for many, many years as my photo library software, and overall I’m quite pleased with it. However, as I continue to build up my library of photos, iPhoto becomes a less viable option. In large part, this is because all your photos have to be saved on your computer’s internal drive – there’s no way to have part of your library on your internal drive and part of it on an external hard drive. Because I use a laptop, this means I’m perpetually crunched for drive space since my photo library is at least 100GB by itself, not to mention my music and video work.

47/52: Lightroom 3

One thing that became immediately apparent upon installing Lightroom 3 is that I would have to spend some time getting used to its paradigm. The interface is somewhat familiar since I use Photoshop CS3, but there’s a lot that’s different. However, I started to dive in and figure it out.

working in Adobe Lightroom 3

I quickly began to enjoy the way that I was able to unearth old photos that I’d taken but never seriously considered as usable before – the cataloging features of Lightroom really shine. I’m still getting used to the editing controls, but the ability to quickly switch from Lightroom into Photoshop CS3 and have edits in Photoshop automatically show up in a new version in Lightroom is pretty great. The ability to export with a watermark automatically added is also wonderful – saves some tedious work in Photoshop.

47/52: Lightroom 3

To finish it off, here’s a new background image I made with a photo I shot last winter. The cropping, toning, and watermarking with the chromedecay logo were all done in Lightroom 3. Click below for the full size (1280 x 800) on Flickr.

47/52: chromedecay background produced in Lightroom 3

45/52: autumn colors in film and digital

For this week’s project, I wanted to pull out a creative tool I haven’t used in a few years: my Lomo Fisheye film camera. I decided to make this week’s project about the juxtaposition of shooting film and digital to capture the autumn colors and mood. My goal was to shoot all week, with both film and digital, and I think these images get across the feel of autumn in Michigan.

45/52: golden leaf in grass

Using the Lomo Fisheye was interesting. I have to confess, I have a like-hate relationship with film, which is why I haven’t shot any in a few years. I like the tactile feeling of holding a print, and there’s still nothing quite like getting an envelope of prints back from the developer, but the lack of instant feedback and high cost of getting film developed keeps me from loving it.

45/52: Kodak Portra 400 film for fisheye camera

The Lomo Fisheye is especially quirky, since it’s literally point and shoot – fixed focus, fixed shutter speed (around 1/100th second, from what I’ve read), fixed aperture. I shot everything on Kodak Portra 400, which is a good fit since a lot of the days were cloudy (the 400-speed film helps with that).

45/52:  lomo fisheye with leaf pile

45/52: backyard leaves

Along with the fisheye, I also shot lots of digital images, with a variety of lenses. Here are a few with the Canon 50mm f/1.8:

45/52: golden leaf, golden fence

45/52: backlit by the fading autumn sun

I also shot a few photos with the Canon 70-300 IS USM in order to zoom in tight or isolate individual leaves against the blue sky from Monday:

45/52: solitary leaves

45/52: telephoto leaves

A lot of the photos I shot with the Lomo Fisheye were done in the car, driving from place to place.

45/52: autumn leaves on lawn

This morning, the last day of the project, I decided to make a couple long exposures in the early morning light as my car warmed up in the dark.

45/52: leaves by taillight

45/52: early morning leaves

It’s funny – the last few frames I made with the fisheye ended up being strong favorites, even when I felt like I was out of time and just trying to use up the last of the film in order to get it processed.

45/52: a tree grows in Ann Arbor

45/52: flanked trees

See the full set of images on Flickr:


41/52: The Press Delete

For this week’s project, I drove up to Holland, MI to shoot promotional and live concert photographs of The Press Delete, a great band that my cousin Jamie Pierce plays in.

The Press Delete

The Press Delete were playing a show at the Park Theater in Holland, and we intended to shoot some promotional photos they could use for the band, as well as live photos of their set. The theater had some interesting armchairs that were pressed into service for a quick pre-show shot:

The Press Delete

The band’s live set was great – they sing mellow, introspective songs that have great layers and atmosphere.

The Press Delete

Joel, lead singer for The Press Delete:
The Press Delete

The Press Delete

Jamie, lead guitarist for The Press Delete:
The Press Delete

Joel, lead singer for The Press Delete:
The Press Delete

See the full set of photos here:


40/52: chromedecay wallpapers

This week’s project is a set of downloadable wallpaper, sized for desktop computers, iPad, and iPhone. All feature photography by Bill Van Loo, with post-processing and formatting by fellow chromedecay artist Joshua Schnable.

Download the entire set of wallpapers here:
https://www.chromedecay.org/downloads/40-52-chromedecay_wallpapers.zip (27MB ZIP file)

A few months ago, Joshua Schnable hipped me to fiftyfootshadows, a site featuring beautiful atmospheric photography offered as downloadable wallpaper. I’ve been enjoying the wallpapers for a while, and was inspired to create some of my own for chromedecay. I shot most of these images on Tuesday and Wednesday of this week.

40/52: chromedecay wallpaper - fence (desktop)

Shooting photos for this project really made me think about what makes a good background image – it has to be visually appealing, but ultimately can’t have too much detail or activity or else the icons get lost against it. I decided on heavily textured, dark images for most of the set.

This was one of the first shots I took on Tuesday evening that I felt really captured what I was going for:

40/52: chromedecay wallpaper - brush (desktop)

This is another shot from Tuesday:

40/52: chromedecay wallpaper - pavement (desktop)

The photo below was actually the last photo I shot on Wednesday evening. It’s the wall of a gas station around the corner of my house. I love the stark simplicity of it – the light above the air compressor acts as a spotlight for it, and I smile every time I see it.

40/52: chromedecay wallpaper - air (desktop)

Finally, this last image came from photos I shot this summer (part of 27/52, “vacation colors“).

40/52: chromedecay wallpaper - paint (desktop)

Many thanks to Joshua Schnable for taking my photographs and post-processing, editing and formatting them for the different wallpaper sizes!

38/52: camp photos

This past week, I spent 4 days at a beautiful camp in Michigan, as part of my day job teaching at Honey Creek Community School.

While I was there, I had the opportunity to take some photos. I hope you enjoy them.